Documentary graphics for Religion of Sports. For the logo, the A-ROD persona becomes more sullied, and dominates the tepid and faded ALEX. For the headlines, we shot an organic collage approach. For archival footage we created a photo album.

Wicked

Design in Cinema 4d / Redshift: Norn Jordan

Key props in the story, Elphaba's hat and broom, poppies and emeralds entwine to form a story within the W, recalling illuminated manuscripts. A golden yellow brick road leads us to this hightened storybook.

Roger Ackroyd

Design development for Kenneth Branagh's new Agatha Christie film, The Murder of Roger Ackroyd. Redshift/ Cinema 4d

For the end credits, we weave through all the clues to find names. "As Poirot claimed earlier, the phone call is the key to understanding the case."

Designs for main titles for an ancient Chinese war epic. Designed by me in Cinema 4d and Redshift.

Client: Amblin Entertainment. Main title, end credits, and various graphic design elements for the film. The end credits were based off the captain’s log and the various invoices and paperwork Dracula would’ve needed to book his voyage.

Creative Director: Norn Jordan

Designers: Norn Jordan, Eunha Choi, Angie Yu

Animators: Phil Hoeschen, Jonathan Ficcadenti, Norn Jordan

Consultant: Greg Jones

Disney's “Alice in Wonderland” franchise has a rich literary and visual history.  For James Bobin's “Alice Through the Looking Glass,” Blur created a main on end sequence that drew inspiration from that legacy.

Alice's journey continues after the film, when a nautical map of Underland comes to life. With Absolem the butterfly as our guide, we fly through whimsical paper architecture created from maps and Alice literature. Within this world, we find beloved Underlandian friends illustrated in Sir John Tenniel's unique Victorian style.

These friends engage in various tea parties across Underland, illuminating character quirks to sweet effect. For the finale over a paper chessboard, all friends unite for a final toast, leading us to a heartfelt dedication to Absolem's voice actor, Alan Rickman.

Main title sequence for Black Surfing Documentary

Created at We Are Royale

CCO: Brien Holman

Creative Director: Norn Jordan

Producer: Michael Cauchi

Designer: Mariia Menshikova, Ridell Apellanes, Elleyce Pahang

Animators: Jared Norby, Dylan Casano

A newly imagined show based on the beloved "Are You Smarter Than a 5th Grader?" format, this celebrity studded gameshow is hosted by Travis Kelce, and will run on Amazon Prime.

The graphics have an academic aesthetic married to a golden, glitzy, red carpet affair.

Amazon makes everyone's wish list dreams come true in this new gameshow on Prime!

We wanted this MOE to continue the awesome humor, 4th wall breaking meta-references, prankster predilections, and rough and tumble ride of the film on into the credits.  I came up with the idea of ending with an Honest trailer, which was the second choice.  Deadpool as a stick figure was Tim Miller's original concept.

Director: Tim Miller

Blur Studio

Creative Directors:  Jennifer Miller, Norn Jordan
Designer/Illustrator:  Justin Claus Harder
Animation:  Deva George, Evan Stalker

We made it to #3 on Promax’s top ten of main titles for 2019!

We created 8 unique episode titles, foreshadowing the creative partnerships between legendary couple Bob Fosse and Gwen Verdon. To stay true to the time period of their story, we shot everything on 16mm with props and kodaliths.

yU+co

Executive Creative Director: Garson Yu

Executive Producer: Carol Wong

Creative Director: Norn Jordan

Art Director: Edwin Baker

Producer: Reno Robertson

Designers: Grace Kang, Chloe Woo

Live Action Director: Norn Jordan

DP: Kyle Chandler

Producer: Nick DeSantis

Animator: Yuee Seo

The lovely folks at Gearbox Entertainment enlisted us to develop a summary of the Homeworld 1 and 2 narratives to ready players for the next installment of Homeworld 3. We employed a painterly look that mixed iconic concept art with the anime aesthetic of Akira and Ghost in the Shell. A color story of warm desert tones transitioning towards cool water tones helped tell the story of the great exodus of the Kushan people from Kharak to Hiigara.

ColourMax

Creative Director: Norn Jordan

Illustrators: Rafal Wotjunik, Joanna Lubski

Map designer: Toros Kose

Animators: Phil Hoeschen, Jonathan Ficcadenti

WebMD asked us to help develop a journey through video games as a metaphor for life, fighting, winning and losing against a disease. 8 bit graphics give way to an open world block aesthetic with Joel as the lead in his own video game.

https://www.webmd.com/arthritis/psoriatic-arthritis/toc-life-with-psa

ColourMax

Creative Director/ Designer: Norn Jordan

Animators: Phil Hoeschen, Jonathan Ficcadenti, Jessica Dafcik, Norn Jordan

GET READY FOR THE VAMPIRE APOCALYPSE

CHALLENGE: CREATE A BLOCKBUSTER FOR YOUR EARS

When Audible returned for Season 2 of their hit apocalyptic vampire series, they requested a campaign that would deliver on their strategic positioning of “a blockbuster for your ears” and “prestige listening.” They also wanted to explore the thrilling story of the two Dunraven sisters, one human, one vampire, and their tangled dual destinies. But honestly they had us at “hello.”

OUR APPROACH: FOCUS ON COMPELLING SISTER STORY AND EXPAND THE UNIVERSE VISUALLY

Our approach was to A) show the contrasts between the two sisters and B) display the epic scope of their worlds...from a crumbling castle in England, to an abandoned military base in the UK, to the mountains of Dubrovnik where the ancient Vampire council is based. These worlds are connected through the sisters’ shared bloodlines that serve as roads which reveal each others’ (sometimes unwanted) destinies.

DELIVERABLES: Trailers, Keyart System, Style Guide, Social Campaign

Created at: We Are Royale

Executive Creative Director/ CCO: Brien Holman

Creative Director: Norn Jordan

Producer: Michael Cauchi

Art Director/ Designer: Angelica Baini

Trailer Designer: Kaya Thomas

Key Art Designer: Mariia Menshikova

CG Supervisor: Matt Guzzardo

Animators: Phil Hoeschen, Evan Stalker, Byron Slaybaugh, Jared Norby

Created at We Are Royale

CCO: Brien Holman

Creative Director: Norn Jordan

Producer: Michael Cauchi

Created at Mocean

Creative Director: Norn Jordan

Producer: Eric Goldrich

Client: Blur

Chief Creative Officer: Tim Miller

Executive Creative Director: Jennifer Miller

Creative Director: Norn Jordan

Producer: Victoria Howard

____________________________________________________________________________

Post Production

Design Studio: Elastic

Creative Director: Lisa Bolan

Designers: Ben Woodlock, Erika Bird, Heidi Berg, Henry DeLeon, Jahmad Rollins, Jeff Han, Yelim Lee

Animation: Lucy Kim, Kyu Kim, Jahmad Rollins, Michael Relth

Online Editor: Kevin Stokes

Pitch Producer: Meredith Cherniack

Producer: Ashlie Iacocca

Executive Producer: Luke Colson

Head of Production: Kate Berry

Managing Directors: Jennifer Sofio Hall

Narcolepsy becomes humanized and sympathetic in this piece sponsored by WebMD. We used the sunflower as a metaphor for Judy’s (our subject) sunny personality, as well as the sunflower’s distinct look when the sun goes down (as if the flower has fallen asleep.) We also created visual looks to contrast Judy when awake and when asleep, creating a dreamscape of sorts. By the end of the piece, Judy’s advocacy causes many others like herself (in the guise of sunflowers) to join her, giving her a welcome respite to the isolation of the disease.

Live Action Director: Courtney Dixon

Design and Editorial created at Mocean

Creative Directors/ Designers: Norn Jordan & Burke Miles

VP Design: Jennifer Holstein

Design Producer: Nora Jurasits

VP Client Partnerships: Michelle Owens

Editor: David Lacey

AV Producer: Taylor Taynton

Stop Motion Animators: Jennifer Ruiz, Rui Huang

Animators: Burke Miles, Jessica Dafcik, Daniel Oberhansley, Tyler Tometich, David Eagle, Vu Trinh, Norn Jordan

Music: Marina Polites

The film-makers wanted a modern, finger snapping celebration for the main on end, reflecting Migos’ catchy song “My Family.” We were inspired by a green-spray painted “makeover” in the film, and used that as a visual thread to unite all of the characters stylized in a pop art, neon palette. Watch for easter eggs of the character “What.”

yU+co

Executive Creative Director: Garson Yu

Executive Producers: Carol Wong, Reno Robertson

Creative Director / Designer: Norn Jordan

Animators: Yuee Seo, Axel Alvarez, Ariel Alter

Finisher: Greg Jones